Showing posts with label Armenia. Show all posts
Showing posts with label Armenia. Show all posts

Tuesday, 12 January 2010

Portrait of the Artist as Chirayliq (Part 1)

Here are some artistic visions of famous (and rather handsome) painters in the 19th and 20th century.



Ivan Konstantinovich Aivazovsky
, Armenian: Hovhannes Aivazian (1817 — 1900) Portrait by Alexei Tyranov, 1841.

Born in Feodosiya, Crimea. Studied in Simferopol and St. Petersburg, traveled around the Black Sea and through Europe, worked and exhibited in Rome, Paris, and Constantinople, as well as his hometown, where he also spent his final years. Some of his maritime works can be viewed at Zeno.org



Pyotr Zakharov-Chechenets
(1816 — 1846) Self portrait in Chechen costume, 1842.

Russian painter of Chechen origin. Orphaned during the Caucasian War 1819, he was raised by a Cossack family and later adopted by a Russian officer who recognized his artistic talents. In spite of ostracism because of his Chechen background, Zakharov-Chechenets remained proud of his heritage (as seen on his chosen name and his costume) became a successful artist, but died of tuberculosis at a young age.



Viktor Mikhailovich Vasnetsov
(1848 — 1926) Self-portrait, 1868.

Son of a village priest, grandson of an icon painter. His brother Apollinary also became a painter. Vasnetsov became a friend of Ilya Repin while studying in St. Petersburg and even modeled for him. He is famous for his mythological and fairy-tale motifs, but he was more interested in everyday scenes of simple life in the beginning of his career. He designed uniforms for the Red Army in 1918 and is credited with the invention of the distinctive budenovka hat - directly inspired by the pointy helmets of the ancient bogatyrs (epic heroes) in Vasnetsov's paintings.



Mikhail Alexandrovich Vrubel (1856 — 1910) Self-portrait, 1885.

Born in Omsk, studied in St. Petersburg. Symbolist painter inspired by medieval religious art and oriental aesthetics. Particularly famous for his paintings inspired by Mikhail Lermontov's Caucasian romance poem "The Demon".

Part 2 with 20th century artists coming up soon!

Friday, 30 January 2009

Sergey Maximishin, photojournalist

Let's just say this is "Professional photographer week". I've been browsing the LiveJournals of Russian photographers lately, and found plenty of exciting works.

Sergey Maximishin, born in 1964, grew up in Kerch in the Crimea. He served in the Soviet army as a photographer the Soviet Military Force Group on Cuba from 1985 to 1987.
After the army, he studied physics and worked in the laboratory of scientific and technical expertise in the Hermitage Museum. In 1998, he graduated from the St. Petersburg Faculty of photojournalism. For the next five years he was a staff photographer for the newspaper Izvestia, and since 2003 he has been working with the German agency Focus.

One of Maximishin's recent reportages is about Oymyakon in the Sakha (Yakut) republic, one of the coldest places in the world. "Here the petrol freezes, and the milk is stored in slabs in the basement", as the lead paragraph in Stern magazine says.


A cowboy rides one of his livestock. Maximishin's photos from Oymyakon were featured in German Stern magazine, Russian Русский Репортер and Polish Przekroj. He shares scans of the articles on his blog.


A fisherman on lake Sevan, Armenia.

Below are a couple of photographs from the Allaihovsk region in Sakha. Maximishin writes: "500 kilometers north of Murmansk. Yearly average temperature is -15 degrees centigrade. The surface of the region is slightly bigger than Bulgaria. The inhabitants number 3200 people. 33 square meters per person. Or 0,03 people per square kilometer."


A reindeer herder plays with his doggie.





Reindeer herding, hunting and fishing are some of the main occupations in the region.



See more of Maximishin's photos from the Allaihovsk region.

Many more wonderful photos can be found on Sergey Maximishin's website - maximishin.com (in English) - as well as his blog - remetalk.livejournal.com (in Russian)!

Thursday, 9 August 2007

Racial stereotypes for Soviet policemen

Click to enlarge. This was sent to us by reader Ilshat Nazipov (unfortunately, he didn't include any nice photos of himself ... see his homepage).

It's a diagram of how males of different races in the Soviet Union supposedly look, used by Soviet police to identify nationalities.

It's funny how the 'Tatar' looks just like Lenin, though Tatars weren't such a prominent part of his very mixed ancestry ("Russian, Kalmyk, Jewish, German and Swedish, and possibly others", according to biographer Dmitry Volkogonov.) It's strange that the 'Georgian' doesn't look exactly like Stalin (probably because this was post-thaw, when the Soviet regime had distanced itself from Stalin). I wonder if it's a pure coincidence that the 'Tatar', the 'Jew' and the 'Gypsy' are next to each other. And we suspect that when the artist got to the 'Tajik' and the 'Turkmen', it was already close to deadline or the end of his workday, so he just drew something random - that's why they look a bit more imaginative than the others.

Ainur can't get over how cute the 'Jew' is.

Friday, 18 May 2007

The Georgian Gigolo - the Russians and their southern neighbours

The following is an excerpt from an essay I wrote during my studies of Russian cultural history – “Persons of Caucasian Nationality” – Xenophobia and Imperialism in Russia. You can read the full text here in Swedish (and Russian). Note: Of course, with "Caucasians" I will be referring to people from the Caucasus Region, and not the US-American label for "white" people.

In the last decades of the Soviet Union, there was one very popular stereotype about people from the Caucasus region. It was born after Stalin’s death and the following more relaxed approach to his legacy. Now, people were finally able to openly tell anecdotes about Stalin, where he often appeared as a womanizer.

In the mid-1960’s, the image of “the Georgian gigolo from the Black Sea coast” was becoming widespread. Stalin’s ethnic background, and the fact that many popular holiday resorts located on the Black Sea coast were in Georgia, led to this stereotype being projected primarily on Georgians, although it was applied also on all other Caucasian nationalities.

“The Georgian gigolo” appeared not least in anecdotes:

A foreign woman asks a Georgian: “Sprechen Sie deutsch?” – “Of course I want to!” he answers with a willing smile. (Tsutsiev 1998, part 1.3 – my translation)

He also appeared in contemporary fiction. In the short story To tell or not to tell by Viktoria Tokareva, the heroine Artamonova has a short-lived affair with the Georgian Vakhtang, who has a difficult time working as an actor, because he is “too beautiful”.

Artamonova understood: he needed to change his profession. For instance, he could be a paid lover in the West at expensive hotels. But how can you tell a man something like that? (Tokareva 2000 – my translation)

Soviet women liked the attractive and friendly “Georgians” they met on their seaside holidays, while Soviet men quite often experienced an inferiority complex towards their southern rivals. It was – and it is still – a common conception that Caucasian men possess extreme abilities in the sexual field (a stereotype that is eagerly confirmed by some Caucasian men, according to my interviews with Natig Jafarov from Azerbaijan, 2001–2003). Seifali Akhundov writes in the article The Caucasian and the woman, the woman and the Caucasian:

A long, long time ago on the street in winter, a drunk proletarian stopped me and unexpectedly asked: Is it true that you people (from the Caucasus, he meant – S.A.) don’t have a straight one, but a bent one? Of course, I didn’t care to answer him, but the nature of the question intrigued me. Firstly, I thought back then that the form and size of the reproductive organ do not depend on ethnic background. Secondly, as I assumed later, this question was rather of a rhetoric character and, probably, bore witness of an inferiority complex towards Caucasians, as experienced by some Russian men, mainly thanks to the myths about the incredible masculine power of Caucasians. In this case, an out-of-the-ordinary form of the organ was seen as one advantage. (Akhundov & Pishchikova 2001 – my translation)

Another stereotype that slowly developed during the same period, and often became blurred with ”the gigolo” is ”the market trader Georgian”. This stereotype was of an even more malicious character.

Like a broken, quarrelsome twig on the human tree, he sticks out on all the Russian markets, from Murmansk to Norilsk, disrespectfully swindling the unsuspecting northern people … Greedy, illiterate, of those who in Russia pejoratively are called “soul worth a kopeika [the smallest unit of Russian money]”, everywhere he throws away all restraint, everywhere with pockets wide open, money shiny from unwashed hands, everywhere he tosses money … (Viktor Astafjev, Catching Gudgeons in Georgia, cited by Tsutsiev 1998, part 1.4)

One example where the stereotypes of ”the gigolo” and ”the market trader” are combined – as two sides of one coin – can be found in Yulia Voznesenskaya’s The Ladies’ Decamerone. The novel tells about ten Soviet women of various backgrounds, who in the spirit of Boccaccio in the course of ten days tell each other stories under different topics. Certainly, when the topic of “first love” comes up, the holiday romance of a young girl at the Black Sea can't be missing – which, however, meets its tragic end at the hands of a jealous rival:

Well, did you come to your senses yet? Have you understood that he isn’t suitable for you? You realise, don’t you, that your parents would never allow you to marry a Georgian who can hardly read and write. Just you wait, one day you’ll see him standing at the market selling tangerines and mimosa!
That thought really made me blush. Because we were brought up to regard all trade, and especially market trade, as the most unsuitable – yes, shameful! – business that anyone could engage in. (Voznesenskaya 1985, p. 29 – my translation)

In the early 1990’s, anti-Semitism seemed to be the most widespread form of racism in post-Soviet Russia. But in the growing wave of xenophobia it would soon prove to be “persons of Caucasian nationality” who were subject to the worst form of discrimination and the most of the racist slurs. The antipathies that earlier had found their expression in the stereotypes of “the market trader Georgian” have since the wars in Chechnya virtually exploded in the stereotypes about “the Chechen terrorist”.

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Illustrations:

1. A random Georgian from the gallery of nukri.org, by the user VAKISPARKI.

2. Another random Georgian from nukri.org, by the user Kolxi.

3. Cover of the record
A Georgian is waiting for you by mushy Georgian-Russian singer Soso Pavliashvili, who plays with Russian stereotypes about Georgians.

4.
I'm Georgian! - a picture that can be seen randomly posted in Russian discussion forums. This elephant seal's nose apparently has a likeness to the racist stereotype of Georgians. Interestingly enough, this nose shape is also an inherent trait of typical racist caricatures of Jews.


References:

Akhundov & Pishchikova 2001 = Ахундов, Сейфали и Пищикова, Евгения: Кавказец и женщина, женщина и кавказец, pseudology.org 2001

Tokareva 2000 = Токарева, Виктория: Сказать, не сказать, Будет другое лето, Вагриус, Москва 2000

Tsutsiev 1998 = Цуциев, Артур: Русские и кавказцы – очерк незеркальной неприязни, Вестник IC I, Владикавказ 1998 (offline?)

Voznesenskaya 1985 = Voznesenskaja, Julia: Kvinnornas decamerone, Bokförlaget Alba, Malmö 1987