Showing posts with label Genghis Khan. Show all posts
Showing posts with label Genghis Khan. Show all posts

Monday, 22 August 2011

Eduard Ondar



Tuvan actor Eduard Ondar recently visited Kazan during the all-Turkic Nauruz festival. Ondar starred in Yakut director Andrei Borisov's epic movie By the Will of Chingis Khan (2009), and his next great project is a Kazakh production where he plays a Dzungarian warlord. In an interview for Tuvinskaya Pravda, Ondar tells about the unexpected troubles that the role of the greatest warlord in Asian history brought him:

"Before, in my time off, just like most of my colleagues, I used to moonlight as a cab driver with my ancient Honda, to make a few extra kopeks. Genghis Khaan deprived me of this possibility. One day some elderly passenger that I was driving somewhere even complained to my bosses – how is this possible, the Khan himself, and he has sunk to driving a riksha? That is unsuitable."

See also: Preview of the new Kazakh movie.

Saturday, 28 March 2009

200 Portraits of Genghis Khan

A comprehensive and searchable collection of images, more or less heroic, chiefly from Mongolia, but also from China and Iran. Collected by a researcher at Juniper, a francophone database on Mongolian and Siberian studies. (Via)
The featured portrait is painted by Mongolian artist Cerendoržyn Ölzbaatar, and obviously inspired by Jean Auguste Dominique Ingres' portrait of Napoleon.

Wednesday, 3 December 2008

Kublai Khan



A Mongolian rock ballad to the memory of emperor Kublai Khan, grandson of Genghis Khan. Would not be complete without a smoke machine, the morin khuur (the horsehead violin) and khöömii (overtone singing). I love Mongolia.

Wednesday, 6 August 2008

"Komeat keskiaasialaiset miehet (heteroille)"?

Chirayliqin henkeen kuuluu rajankäynti idän ja lännen välillä. Monet artikkeleistamme käsittelevät mielikuvia idästä ja lännestä, ja miten keskiaasialaiset, vaikka nimensä mukaan elävät Aasian keskellä, usein olemuksellaan tai elämänteoillaan kyseenalaistavat kuvitteellista rajaa. Siksi Chirayliq on myös avoin keskiaasialaisten naapureille.

Suomalaiset miehet pääsevät joskus kunnia-chirayliqeiksi jos heidän ulkonäkönsä sopii aiheeseen ja/tai he pelaavat jääkiekkoa. Meillä käy myös suomalaisia vierailijoita. Keskustelunaiheena Fighter Magazinen (julkaisu Tinetin mieleen?...) foorumilla esiintyy artikkelimme Suomen tataareista. Etenkin nuoren Teuvo Tulion (synt. Theodor Tugai) muotokuva karvareuhkassa saa ansaittua huomiota.



Tervetuloa vain! On hauska nähdä että vaarikin (siis Abbas alias Esko, ei Theodor alias Teuvo... voi assimilaation painetta!) saa vanhoilla päivillään foorumiphamea.
Muutama huomionarvoinen seikka: Väite että Teuvo Tulio polveutuisi Tshingis Khanista ei ole meiltä peräisin. (Onkohan vierailijoiden omaa vilkasta mielikuvitusta?) Suomen mishääritataarit, vaikka heidän joukossaan on ollut monta urheaa soturia, eivät todennäköisesti ole sen lähempää sukua mongolihallitsijalle kuin muinaiset naapurinsa mordvalaiset ja maritkaan. Teuvo Tulio oli isänsä puolelta todennäköisesti Baltian tataari (lue lisää Tulio-tutkimuksistani). Vaikka jotkut näistä polveutuivat Kultaisen Ordan sotureista joita Liettuan ruhtinaat värväsivät armeijoihinsa, ja vaikka heistä vuorostaan polveutui Charles Bronson, eivät hekään olleet kovin läheisissä suhteissa maailmanvalloittajaan... ainakaan Tokhtamyshin tuhon jälkeen.

Otsikosta vielä sen verran että "komeat keskiaasialaiset miehet" eivät todellakaan ole vain heteroille tarkoitettuja...

PS: Kiitokset vinkistä äidille, jonka haukansilmiltä ei välty internetissäkään.

Thursday, 27 March 2008

Valéry Inkijinoff


Валерий Иванович Инкижинов, known as Valéry Inkijinoff and various other spellings in the West, was an actor in France and the Soviet Union, of Buryat descent, born in Irkutsk (25 March 1895; we just missed his birthday!).
The image above is from the 1931 movie Le Capitaine Jaune ("The Yellow Captain"). The typically racist title belies the fact that Inkijinoff plays the hero of the story; in a seedy Marseilles pub, he falls in love with Simone D'Al-Al's character (she was a Parisian model of West Indian descent), is falsely accused of murder, goes into hiding with his lover, foils an attempted mutiny, finds the murderer, and all ends well!


Here's a nice collage of his different roles through the years. (Complete filmography in French) In an age when Asian characters in Western movies had a very limited range of mostly villainous roles, Injikinoff's career took an unusual start when he played the hero of a Soviet movie of anti-imperialist rebellion in Mongolia. Storm Over Asia (directed by Vsevolod Pudovkin, 1928) tells the story of a simple herdsman who is mistakenly believed to be the descendant of Genghis Khan. The Western occupying forces (British in the original, White Russian in Western prints of the film) plan to use him as a puppet ruler over the credulous masses. (If you wonder what the Brits were doing in Mongolia, read more about the Siberian Intervention.) However, the hero sees through the imperialist plot and leads the people in revolt in a dramatic finale - see below.

Sunday, 10 February 2008

The Genghis Craze


This 2007 movie, about the early years of Genghis Khan, deserves a much longer post. The director, Sergei Bodrov sr., is Russian. The film is an international co-production between companies in Germany, Kazakhstan, Mongolia and Russia. The lead actor, playing Temujin, is the (very very chirayliq) Tadanobu Asano from Japan. The film was shot in the People's Republic of China, principally Inner Mongolia, and in Kazakhstan. To top it all, the film was nominated for the Academy Award for Best Foreign Language Film as a submission from Kazakhstan.

(Wait a sec - "Music by Tuomas Kantelinen"? This truly is a pan-Eurasian production... Heart-warming!)

Of course, there's bound to be trouble.

This is not the first movie adaptation of Genghis Khan's life, and I'm sure it won't be the worst (in the fabulous "yellowface" genre, I think John Wayne takes the prize with his incredible line in The Conqueror (1956): "this Tartar woman...is for me...and my blood says...take her!!" Oh my Tengri, there's even one with Omar Sharif), though I understand the Mongolian concerns about historical accuracy and respect for their culture.


Especially the Japanese interest in the ancient warlord has been a bit disturbing. In 2007, a Japanese movie was released under the name Aoki Ookami (The Blue Wolf; a.k.a. Genghis Khan - To the Ends of the Earth and Sea). According to an online review, it was a commercial failure in Japan, and the producers scrapped the plans for a sequel. This film was shot entirely in Mongolia, but the leading actors are all Japanese. Takashi Sorimachi (of GTO o_O and Yamato fame) is kawaii. Check out his pout in the beginning of this video.

Ok, getting off topic there...

If you want to see REAL Mongols dressed up and playing Genghis, check out this gallery by Michel Setboun.

PS: An interesting tidbit of information is the fact that the script writer of Mongol, Arif Aliyev, qualifies as a chirayliq. His name sounds Tatar, but it doesn't really matter as much as his friendly smile.

More about Aliyev

Sunday, 14 October 2007

Ola Wong on Mongolian men in Swedish daily Svenska Dagbladet

Ola Wong is a Chinese-Romanian guy born in Borås, Sweden, who works as a journalist and has also written a really interesting book about his grandparents ("No, I'm from Borås"). Today an article by him about Mongolian men was published in Swedish daily newspaper Svenska Dagbladet.

Wong describes how the role of the Mongolian man is in a downward spiral. The case of Oynaa's family is one example of many. "The worst thing about Mongolian men is that they drink, are lazy and unfaithful. Then they bring sexually transmitted diseases back home. And he blamed the disease on me, even though I was toiling like crazy to take care of the child, our home and work at the same time", complains Oynaa, a divorced mother whom Wong interviewed in Ulan Bator. After the divorce, Oynaa's husband left her their child and kept their apartment for himself. But Oynaa went on to make a career and is now the manager of a fitness club, while her ex-husband lives off his parents.

"Oynaa blames the problems in Mongolia on the fact that the men are still mentally in the ger - the Mongolian felt tent [in SvD entertainingly enough misspelled as "sour milk tent"], where the warmest half is reserved for the men and the altar. The Mongolian ideal man is a carefree and indolent wrestler type who never takes initiatives or is in any hurry. He should sit there with his legs apart and with his hands on his knees. A woman, on the other hand, should be intelligent, hardworking, good at cooking and cleaning, beautiful, modest, quiet and submissive - all at the same time!"

Wong writes about how 70 % of university students are women. He cites a common explanation for this - that people tend to think that "boys will be all right anyway", while girls are married off to another family, and their parents consider them to need an education to be able to stand on their own legs.
In spite of this, women's influence in the higher levels of society has diminished considerably since "democracy" came along in 1990 - only 7 % of the Mongolian members of parliament are women today.

While this article could have been interesting as a more personal insight into the life of Oynaa's family and many more like them in Mongolia today, Wong goes on to draw simplified conclusions about Mongolian culture and history. "Macho ideals and hard men made it possible for the Mongolians to conquer a world empire under Genghis Khan. But it became a recipe for failure after the fall of the Soviet Union. The men gave up, got wasted and took out their frustration with their fists."
(So, nothing else really happened between Genghis Khan and 1990?)

Instead of drawing slightly orientalist conclusions about Genghis Khan, it should be easy to see the same pattern here as in Russia and many other post-Communist countries, where the transition has hit men harder - many of them drink and get violent in frustration, while a handful go on to rule the country. Women, on the other hand, keep on coping somehow, as they always have.

Certainly, there are exceptions to this bleak picture. And Wong writes about how in order to support men, the Mongolian Men's Association was founded. Since one year it has been obligatory for engaged couples to take at the very least a two-hour class at the Mongolian Men's Association before they are allowed to marry.

So, by and by, I guess maybe even Mongolian men will be able to show a "softer" side. They could start with changing the design of their saddles. The traditional Mongolian saddles are said to be made as uncomfortable as possible, so that the riders "stay hard", like "real men". My arse still hurts when I think about them.

(Photo by me, Ulan Bator, June 2006 - the guy on the photo obviously has nothing to do with the article, except that he is a specimen of The Mongolian Man.)

Saturday, 22 September 2007

National Geographic


Once upon a time, I collected old National Geographics for my source library. For fun, I checked them for any Chirayliq material. Surely they - from 1963 to 1999 - would yield some treasures.
Of course, it wasn't so easy. Western ethnographers don't usually pay much attention to handsome men between 18 and 38, regardless what tribe or nation they might be photographing. The "normal" targets for National Geographic photoshoots are old, wizened grandpas, beautiful women, and children of both sexes. Thus, my chirayliq collection consists of two teenage boys, two men well into their middle age, and only a single one of our own age group.

The Sami boy at the top, Nils Johan Mienna (15 years old in 1977) represents the western edge of our dear Eurasian landmass. Reindeer herders inhabit the continent's rim all the way from Norway to East Siberia. I wonder if Nils wanted to continue his parents' traditions, or if he pursued other dreams. Typical of 1970's National Geographic, the article makes a big deal out of the demands of "modern" life and suggests that reindeer herding will be lost for the sake of efficiency.



From National Geographic's April issue, 1985, comes this portrait of an anonymous Afghani boy. He is described as a militiaman in a village near "Communist Kabul". The writer lets us know that the Marxist government conscripts 16-year-olds, and that the army is plagued by desertions. While Coca Cola continued to flow in the capital, the surrounding mujaheddin were dealing another kind of opium for the people. I wonder what happened to this young man.



Towards the heart of the continent: A Kyrgyz herdsman reminds a French couple of his ancestor, Genghis Khan, on their way through the Wakhan corridor in 1972. It is not made clear if he is identical to their guide, Abdul Wakil, a man of few words and fewer smiles, but with unerring survival experience. Of course, the travellers respect Abdul, their life depends on him, but they also suggest that he doesn't understand how a jeep could be more valuable than 14 of his beloved camels.



13 years later, another "descendant of the Khan" greets the National Geographic reporters with a Mona Lisa smile. Of course, the article is titled "Time Catches Up With Mongolia". There is nothing more reassuring for the Western reporters than the good old contrast between the backward but oh-so-authentic East, and the up-to-date but boringly normal West. Is modernization through sovietizised city slickers of Ulan Bator more wrong than Coca Cola in Kabul?



The final photo is from an article from 1968, "In the Footsteps of Alexander the Great". A Turkish oil wrestling contest takes place amid the ruins of Ephesus. Here, back in the Western end of Eurasia, Turks act out the roles of ancient Greeks and Macedonians in the imagination of the reporter.

Saturday, 12 May 2007

Chinggiz Khaan's Legacy

Чингис Хаан. Genghis Khan. Some still see him as the epitome of evil (common in Muslim historiography), some revere him as a founding father (the Mongols, naturally, and plenty of Central Asian peoples), and some exotize him as a mighty barbarian warlord, both horrifying and romantic (Europe and its Anglo-Saxon colonial offshoots).

As a historian, I prefer to leave the moral judgements aside (curiously the spelling manager marks both "exotize" and "judgements" as suspicious words). I'm merely interested in the images of the great Khan that are produced and reproduced in the world. For the purpose of this article, I will take a look on Central Asian men taking on the role as Genghis Khan, masquerading or mimicking a common image of him (we don't know what he really looked like!).

BBC
Reenactment in 2006, celebrating the 800th anniversary of Genghis Khan's establishment of the Mongol Empire.


Mobile communication is of vital importance for a nomad army!

To be continued on the same theme.