Showing posts with label Chechens. Show all posts
Showing posts with label Chechens. Show all posts

Tuesday, 12 January 2010

Portrait of the Artist as Chirayliq (Part 1)

Here are some artistic visions of famous (and rather handsome) painters in the 19th and 20th century.



Ivan Konstantinovich Aivazovsky
, Armenian: Hovhannes Aivazian (1817 — 1900) Portrait by Alexei Tyranov, 1841.

Born in Feodosiya, Crimea. Studied in Simferopol and St. Petersburg, traveled around the Black Sea and through Europe, worked and exhibited in Rome, Paris, and Constantinople, as well as his hometown, where he also spent his final years. Some of his maritime works can be viewed at Zeno.org



Pyotr Zakharov-Chechenets
(1816 — 1846) Self portrait in Chechen costume, 1842.

Russian painter of Chechen origin. Orphaned during the Caucasian War 1819, he was raised by a Cossack family and later adopted by a Russian officer who recognized his artistic talents. In spite of ostracism because of his Chechen background, Zakharov-Chechenets remained proud of his heritage (as seen on his chosen name and his costume) became a successful artist, but died of tuberculosis at a young age.



Viktor Mikhailovich Vasnetsov
(1848 — 1926) Self-portrait, 1868.

Son of a village priest, grandson of an icon painter. His brother Apollinary also became a painter. Vasnetsov became a friend of Ilya Repin while studying in St. Petersburg and even modeled for him. He is famous for his mythological and fairy-tale motifs, but he was more interested in everyday scenes of simple life in the beginning of his career. He designed uniforms for the Red Army in 1918 and is credited with the invention of the distinctive budenovka hat - directly inspired by the pointy helmets of the ancient bogatyrs (epic heroes) in Vasnetsov's paintings.



Mikhail Alexandrovich Vrubel (1856 — 1910) Self-portrait, 1885.

Born in Omsk, studied in St. Petersburg. Symbolist painter inspired by medieval religious art and oriental aesthetics. Particularly famous for his paintings inspired by Mikhail Lermontov's Caucasian romance poem "The Demon".

Part 2 with 20th century artists coming up soon!

Wednesday, 13 August 2008

In South Ossetia

A ceasefire is in place between the Russian and Georgian armed forces, but it is apparently very fragile. There is a lot of distrust between the parties, and the situation is very unstable. Estimates say that about 100,000 people are displaced, and up to 2,000 people - soldiers and civilians - have been killed so far (though the latter number is thought to be exaggerated, and anyone can only guess, because there is no information).

The conflict in South Ossetia is as much about media, and it is very difficult to trust any reports.
But a news report that most certainly cannot be disputed is that there are many handsome men involved in the conflict on all sides ...


A Georgian tank soldier in Gori on Saturday. From AP by George Abdaladze via daylife.


Chechen special forces soldiers from the Vostok (East) army unit sit atop of an APC as they move toward Tskhinvali on Saturday. From Reuters via daylife.


Georgian soldiers returning from Tskhinvali on Sunday. From AP via Der Spiegel.


A Russian peacekeeper sits at the checkpoint near Tskhinvali on Sunday. From Reuters via daylife.


A physician treats an injured man in a hospital in Dzhava, South Ossetia, on Sunday. From AP by Musa Sadulayev, via daylife.


A South Ossetian soldier secures an area next to a destroyed Russian armoured personnel carrier in Tskhinvali on Sunday. From Reuters via daylife.


A Russian soldier takes cover as a tank convoy enters Tskhinvali on Monday. From AP by Mikhail Metzel, via daylife.


A protester carries a Georgian flag and shouts anti-Russian slogans outside the Russian embassy in Beijing on Monday. From Reuters via daylife.


Russian soldiers drink water in Tskhinvali on Monday. From AFP/Getty Images via daylife.


A Georgian soldier smokes as Georgian forces head towards Tbilisi on Monday, just outside Gori. From Getty Images via daylife.


Soldiers, part of a Russian military convoy, travel on their way on a main road leading to the Georgian city of Zugdidi today, Wednesday. From Reuters via daylife.

Friday, 18 May 2007

The Georgian Gigolo - the Russians and their southern neighbours

The following is an excerpt from an essay I wrote during my studies of Russian cultural history – “Persons of Caucasian Nationality” – Xenophobia and Imperialism in Russia. You can read the full text here in Swedish (and Russian). Note: Of course, with "Caucasians" I will be referring to people from the Caucasus Region, and not the US-American label for "white" people.

In the last decades of the Soviet Union, there was one very popular stereotype about people from the Caucasus region. It was born after Stalin’s death and the following more relaxed approach to his legacy. Now, people were finally able to openly tell anecdotes about Stalin, where he often appeared as a womanizer.

In the mid-1960’s, the image of “the Georgian gigolo from the Black Sea coast” was becoming widespread. Stalin’s ethnic background, and the fact that many popular holiday resorts located on the Black Sea coast were in Georgia, led to this stereotype being projected primarily on Georgians, although it was applied also on all other Caucasian nationalities.

“The Georgian gigolo” appeared not least in anecdotes:

A foreign woman asks a Georgian: “Sprechen Sie deutsch?” – “Of course I want to!” he answers with a willing smile. (Tsutsiev 1998, part 1.3 – my translation)

He also appeared in contemporary fiction. In the short story To tell or not to tell by Viktoria Tokareva, the heroine Artamonova has a short-lived affair with the Georgian Vakhtang, who has a difficult time working as an actor, because he is “too beautiful”.

Artamonova understood: he needed to change his profession. For instance, he could be a paid lover in the West at expensive hotels. But how can you tell a man something like that? (Tokareva 2000 – my translation)

Soviet women liked the attractive and friendly “Georgians” they met on their seaside holidays, while Soviet men quite often experienced an inferiority complex towards their southern rivals. It was – and it is still – a common conception that Caucasian men possess extreme abilities in the sexual field (a stereotype that is eagerly confirmed by some Caucasian men, according to my interviews with Natig Jafarov from Azerbaijan, 2001–2003). Seifali Akhundov writes in the article The Caucasian and the woman, the woman and the Caucasian:

A long, long time ago on the street in winter, a drunk proletarian stopped me and unexpectedly asked: Is it true that you people (from the Caucasus, he meant – S.A.) don’t have a straight one, but a bent one? Of course, I didn’t care to answer him, but the nature of the question intrigued me. Firstly, I thought back then that the form and size of the reproductive organ do not depend on ethnic background. Secondly, as I assumed later, this question was rather of a rhetoric character and, probably, bore witness of an inferiority complex towards Caucasians, as experienced by some Russian men, mainly thanks to the myths about the incredible masculine power of Caucasians. In this case, an out-of-the-ordinary form of the organ was seen as one advantage. (Akhundov & Pishchikova 2001 – my translation)

Another stereotype that slowly developed during the same period, and often became blurred with ”the gigolo” is ”the market trader Georgian”. This stereotype was of an even more malicious character.

Like a broken, quarrelsome twig on the human tree, he sticks out on all the Russian markets, from Murmansk to Norilsk, disrespectfully swindling the unsuspecting northern people … Greedy, illiterate, of those who in Russia pejoratively are called “soul worth a kopeika [the smallest unit of Russian money]”, everywhere he throws away all restraint, everywhere with pockets wide open, money shiny from unwashed hands, everywhere he tosses money … (Viktor Astafjev, Catching Gudgeons in Georgia, cited by Tsutsiev 1998, part 1.4)

One example where the stereotypes of ”the gigolo” and ”the market trader” are combined – as two sides of one coin – can be found in Yulia Voznesenskaya’s The Ladies’ Decamerone. The novel tells about ten Soviet women of various backgrounds, who in the spirit of Boccaccio in the course of ten days tell each other stories under different topics. Certainly, when the topic of “first love” comes up, the holiday romance of a young girl at the Black Sea can't be missing – which, however, meets its tragic end at the hands of a jealous rival:

Well, did you come to your senses yet? Have you understood that he isn’t suitable for you? You realise, don’t you, that your parents would never allow you to marry a Georgian who can hardly read and write. Just you wait, one day you’ll see him standing at the market selling tangerines and mimosa!
That thought really made me blush. Because we were brought up to regard all trade, and especially market trade, as the most unsuitable – yes, shameful! – business that anyone could engage in. (Voznesenskaya 1985, p. 29 – my translation)

In the early 1990’s, anti-Semitism seemed to be the most widespread form of racism in post-Soviet Russia. But in the growing wave of xenophobia it would soon prove to be “persons of Caucasian nationality” who were subject to the worst form of discrimination and the most of the racist slurs. The antipathies that earlier had found their expression in the stereotypes of “the market trader Georgian” have since the wars in Chechnya virtually exploded in the stereotypes about “the Chechen terrorist”.

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Illustrations:

1. A random Georgian from the gallery of nukri.org, by the user VAKISPARKI.

2. Another random Georgian from nukri.org, by the user Kolxi.

3. Cover of the record
A Georgian is waiting for you by mushy Georgian-Russian singer Soso Pavliashvili, who plays with Russian stereotypes about Georgians.

4.
I'm Georgian! - a picture that can be seen randomly posted in Russian discussion forums. This elephant seal's nose apparently has a likeness to the racist stereotype of Georgians. Interestingly enough, this nose shape is also an inherent trait of typical racist caricatures of Jews.


References:

Akhundov & Pishchikova 2001 = Ахундов, Сейфали и Пищикова, Евгения: Кавказец и женщина, женщина и кавказец, pseudology.org 2001

Tokareva 2000 = Токарева, Виктория: Сказать, не сказать, Будет другое лето, Вагриус, Москва 2000

Tsutsiev 1998 = Цуциев, Артур: Русские и кавказцы – очерк незеркальной неприязни, Вестник IC I, Владикавказ 1998 (offline?)

Voznesenskaya 1985 = Voznesenskaja, Julia: Kvinnornas decamerone, Bokförlaget Alba, Malmö 1987